This experience is optimized for Internet Explorer version 9 and above.

Please upgrade your browser

Send the Gift of Lifelong Learning!

Music of Richard Wagner

Music of Richard Wagner

Professor Robert Greenberg, Ph.D.
San Francisco Performances

Gifting Information

FAQ
FAQ

To send your gift, please complete the form below. An email will be sent immediately to notify the recipient of your gift and provide them with instructions to redeem it.

  • 500 characters remaining.

Frequently Asked Questions

With an eGift, you can instantly send a Great Course to a friend or loved one via email. It's simple:
1. Find the course you would like to eGift.
2. Under "Choose a Format", click on Video Download or Audio Download.
3. Click 'Send e-Gift'
4. Fill out the details on the next page. You will need to the email address of your friend or family member.
5. Proceed with the checkout process as usual.
Q: Why do I need to specify the email of the recipient?
A: We will send that person an email to notify them of your gift. If they are already a customer, they will be able to add the gift to their My Digital Library and mobile apps. If they are not yet a customer, we will help them set up a new account so they can enjoy their course in their My Digital Library or via our free mobile apps.
Q: How will my friend or family member know they have a gift?
A: They will receive an email from The Great Courses notifying them of your eGift. The email will direct them to TheGreatCourses.com. If they are already a customer, they will be able to add the gift to their My Digital Library and mobile apps. If they are not yet a customer, we will help them set up a new account so they can enjoy their course in their My Digital Library or via our free mobile apps.
Q: What if my friend or family member does not receive the email?
A: If the email notification is missing, first check your Spam folder. Depending on your email provider, it may have mistakenly been flagged as spam. If it is not found, please email customer service at (customerservice@thegreatcourses.com) or call 1-800-832-2412 for assistance.
Q: How will I know they have received my eGift?
A: When the recipient clicks on their email and redeems their eGift, you will automatically receive an email notification.
Q: What if I do not receive the notification that the eGift has been redeemed?
A: If the email notification is missing, first check your Spam folder. Depending on your email provider, it may have mistakenly been flagged as spam. If it is not found, please email customer service at (customerservice@thegreatcourses.com) or call customer service at 1-800-832-2412 for assistance.
Q: I don't want to send downloads. How do I gift DVDs or CDs?
A: eGifting only covers digital products. To purchase a DVD or CD version of a course and mail it to a friend, please call customer service at 1-800-832-2412 for assistance.
Q: Oops! The recipient already owns the course I gifted. What now?
A: Great minds think alike! We can exchange the eGifted course for another course of equal value. Please call customer service at 1-800-832-2412 for assistance.
Q: Can I update or change my email address?
A: Yes, you can. Go to My Account to change your email address.
Q: Can I select a date in the future to send my eGift?
A: Sorry, this feature is not available yet. We are working on adding it in the future.
Q: What if the email associated with eGift is not for my regular Great Course account?
A: Please please email customer service at (customerservice@thegreatcourses.com) or call our customer service team at 1-800-832-2412 for assistance. They have the ability to update the email address so you can put in your correct account.
Q: When purchasing a gift for someone, why do I have to create an account?
A: This is done for two reasons. One is so you can track the purchase of the order in your ‘order history’ section as well as being able to let our customer service team track your purchase and the person who received it if the need arises.
Q: Can I return or Exchange a gift after I purchase it?
A: Because the gift is sent immediately, it cannot be returned or exchanged by the person giving the gift. The recipient can exchange the gift for another course of equal or lesser value, or pay the difference on a more expensive item

Priority Code

Cancel

Music of Richard Wagner

Course No. 7290
Professor Robert Greenberg, Ph.D.
San Francisco Performances
Share This Course
3.9 out of 5
45 Reviews
77% of reviewers would recommend this series
Course No. 7290
Sale
  • Audio or Video?
  • You should buy audio if you would enjoy the convenience of experiencing this course while driving, exercising, etc. While the video does contain visual elements, the professor presents the material in an engaging and clear manner, so the visuals are not necessary to understand the concepts. Additionally, the audio audience may refer to the accompanying course guidebook for names, works, and examples that are cited throughout the course.
  • You should buy video if you prefer learning visually and wish to take advantage of the visual elements featured in this course. The video version features hundreds of photographs, illustrations, paintings, and short in-studio piano performances designed to aid in your understanding of the course material. Among these are historical paintings of Wagner and some of his contemporaries; photographs of performances of works like Parsifal and The Ring of the Nibelung; short live piano performances of Wagner's music by Professor Greenberg; and excerpts from Wagner's controversial essays, including Art and Revolution. There are on-screen spellings and definitions to help reinforce material for visual learners.
Streaming Included Free

Course Overview

Richard Wagner was one of history's greatest composers, a theater artist of extraordinary genius and vision, and one of the most controversial characters in the entire pantheon of Western art. More than a century after his death, his legacy is still debated, his influence still felt in our very conception of Western music and in the contemporary forms of opera and the complete spectrum of theater and literary arts.

  • As a composer, he rewrote the rules for opera—reenvisioning its musical forms and creating dazzling and unforgettable dramatic tapestries that melded orchestral magnificence with the soaring beauty of the human voice.
  • As a theater artist, he pioneered the "Gesamtkunstwerk" or "total artwork" that incorporated music, drama, poetry, philosophy, myth, and ritual, building a theater of revolutionary design and creating musical dramas on a scale never before attempted in history.
  • And, as a self-styled theorist, he pursued an agenda of militant German nationalism, anti-Semitism, elitist prejudice, and unbounded self-glorification in his often troubling philosophical tracts and essays.

Grappling with all of this in the 24 lectures of The Music of Richard Wagner, Great Courses favorite Professor Robert Greenberg of San Francisco Performances returns with a rich and multifaceted exploration of the trailblazing works and outsized life of this historically pivotal figure.

A Confounding and Double-Edged Legacy

In addition to the seminal importance of his works, the phenomenon of Wagner presents a persistent and thorny conundrum. His fierce nationalism, megalomaniacal egotism, and disturbing philosophies have tempted some to say that we must consider the man and the music as two separate things. Yet, Professor Greenberg shows in compelling detail that to try to separate the two is ultimately impossible—that a very strong case can be made that the man is the music, the music the man.

But what a combination! Dr. Greenberg, with his expert grasp of both the music itself and the human dimensions of Wagner's life story, demonstrates that those willing to engage with Wagner as a total package will find themselves in the presence of one of the most visionary creators civilization has ever produced.

Tracing Wagner's melodramatic life, from his desperate escapades outrunning creditors to his obsessive personal relationships, his utopian artistic schemes to his fanatical and voluminous writings, Professor Greenberg places the greatness of Wagner's music and theatrical creations within the context of his grandiose, extreme, and uncompromising approach to living.

In The Music of Richard Wagner, Professor Greenberg offers you a highly incisive and in-depth investigation of Wagner's art and life, reckoning with the unsettling dichotomies of one of Western art's most brilliant, influential, and unusual figures.

A Composer's View of Wagner's Genius

Professor Greenberg's rare breadth and depth of experience make him uniquely qualified to present the complexities of Wagner. An award-winning composer of international recognition—in addition to his acclaimed work as a music historian—he gives you a composer's insight into Wagner's music writing, as well as a historian's discerning perspective on Wagner's life and character.

Dr. Greenberg structures these lectures as an accessible, hands-on introduction to Wagner's celebrated works that form a core part of the standard operatic repertoire throughout the world. Your study of the musical riches, text, and dramatic action of each work leaves you free to enjoy them in performance with a full-bodied awareness of what you're hearing and seeing and with the tools to appreciate these great creations with increasing depth over time.

Your immersion in Wagner's art includes the following:

  • The Flying Dutchman: The haunting score and poetry of Wagner's first masterwork, based on the legend of an accursed sea captain, feature several of Wagner's key innovations. Investigate the Dutchman's groundbreaking musical structure, Wagner's new conception of dramatic text, and his growing self-liberation from the traditional operatic divisions of aria and recitative.
  • Tannhäuser: The saga of a medieval knight torn between two worlds reveals the flowering of Wagner's sublime music. Track the musical narrative through passionate and richly melodic solo arias, the gripping "festival of song," and the extended conclusion during which Wagner's music achieves divine transfiguration.
  • Tristan and Isolde: Wagner's crowning masterpiece, this searing exploration of human desire ranks as one of the most influential musical works of the 19th century. Probe the splendor of its vocal writing and orchestral textures, culminating in the iconic "Liebestod," perhaps the composer's greatest achievement.
  • The Ring of the Nibelung: Arguably the single most ambitious theater work ever created, Wagner's magnum opus comprises four grand-scale music dramas, set in an imagined world of magical beings, fallible gods, and heroic mortals. Dig deeply into The Ring's mythic and philosophical roots, its dramatic narrative, poetry, and breathtaking score—all of which reveal Wagner's mature greatness.
  • Parsifal: Wagner's allegory of the Knights of the Holy Grail jarringly sets a text propounding Aryan ethnic purity to some of the most glorious music in Western art. Study the creation of Parsifal in relation to Wagner's late writings, the drama's complex text, and its transcendent musical highpoints.

Reconceiving the Art of Opera

Tracing the remarkable arc of Wagner's career, you investigate his early operas, the key influence of Weber, and the emergence of a distinctly German operatic tradition as fundamental to his inspiration. You follow the stunning evolution of his art, as he rejects the conventions of popular opera and becomes the only major operatic composer to also write his own texts, laden with myth and symbol, redefining his later works as "music dramas."

  • You also grasp his defining musical innovations, including
  • his obliteration of the distinction between recitative, aria, and ensemble in favor of nonstop dramatic action;
  • his integral use of leitmotivs (short musical ideas directly associated with a character, object, or idea), developing them and linking them as compelling musical subtext;
  • his use of the orchestra in a grand, symphonic partnership with the singers, evoking action and psychological conditions through the music alone.

A Toweringly Complex Character

The sheer outlandishness of Wagner's life makes for an endlessly intriguing story.

You learn about the backstage fistfight that derailed the opening of his opera The Ban on Love, and about his disastrous mismanagement of money, leading to his completion of the opera Rienzi in a Paris debtor's prison. You follow his involvement in revolutionary politics in Saxony, forcing his daring escape to Switzerland in disguise.

You witness the tragicomic fiasco of Tannhäuser's premiere in Paris, and the miraculous intervention of the "mad" king Ludwig of Bavaria, who saved Wagner from the jaws of creditors and bankrolled the writing of his late masterworks.

In his writings and letters, you probe deeply into Wagner's thought, philosophical views, and public actions. You also study his evolving views on art and his own mission—his aversion to opera as "entertainment"; the influence of Schopenhauer's philosophy on his music; his core belief in myth as essential to an art that would revitalize and redeem human civilization.

Reflecting on his essays, including "Art and Revolution," "Jewishness in Music," and "Opera and Drama," you investigate the often contradictory—and hypocritical—aspects of his personality: his self-identification as a political revolutionary and simultaneous deep links to aristocrats; his virulent anti-Semitism and simultaneous identity as a free-thinking, liberal artist. And, reflecting the nationalist spirit of his time, you track his core desire to make "German Art in the service of a German national identity," even as he created a body of works whose communicative power transcends any national boundary.

With Professor Greenberg's passionate and razor-sharp commentary, you plumb the fabulous mystery of this man who—notwithstanding his own extreme narcissism, grandiose posturing, and often inhumane views—gave the world something of deeply compelling and universal resonance: a music of great genius and a poetry that reveals the human psyche in the most unflinching terms. An art in which, if we look deeply, we inescapably find ourselves.

Join us, in The Music of Richard Wagner, for this extraordinary encounter with art, history, and the dimensions of the human spirit.

Hide Full Description
24 lectures
 |  47 minutes each
  • 1
    The Escape from Riga
    Wagner's grandiose, difficult character and massive achievements constitute a fascinating and controversial legacy. First, consider Wagner's outsized egotism, material self-indulgence, and fanatical philosophies as ultimately inseparable from the grandeur, length, and fantasy of his music dramas. Then, enter the events of his life through his early musical career, his volatile marriage, and his debt-ridden struggles as an opera conductor. Finally, conclude with his daring escape by land and sea from Riga, fleeing creditors. x
  • 2
    London, Paris, and Rienzi
    Trace the professional disappointments of Wagner's stay in London, followed by the extreme financial hardships of his years in Paris, as he composes, sustained by a dogged belief in his own predestined greatness. Then study his opera Rienzi—the key musical content of its overture and "Almighty Father" aria, and its story elements as they mirror Wagner's heroic self-conception. Follow the composer's return to Germany and Rienzi's triumphant premiere in Dresden, which established his career. x
  • 3
    What to Do about Germany?
    Wagner's music and ideals were fired by the German nationalism that emerged from the Napoleonic wars. Chart the dramatic events of Napoleon's continental conquest, his crushing defeat, and the power shifts leading to a united Germany. Continue with Wagner's early life and the issues surrounding his paternity that found expression in the plot of Siegfried. Learn also about Wagner's infatuation with the theater and the "epiphanies" that led to him becoming a composer. x
  • 4
    The Rise of German Opera
    This lecture explores Wagner's early operatic works in the context of the newly emerging German operatic tradition. Study the elements of Weber's landmark Der Freischütz, incorporating Germanic folklore and the melodic sensibility of German folk song. Then trace Wagner's metamorphosis from "wastrel" student to opera composer through his early music writing and attempts at theatrical works. Focusing on his early opera The Fairies, identify his extraordinary craftsmanship and the influences of Rossini and Weber. x
  • 5
    The Flying Dutchman, Part 1
    First, learn about Wagner's voluminous prose writing, used to develop and prioritize his creative agenda, views, and philosophies. Also track the creation and disastrous premiere of his second opera, The Ban on Love. In his first masterwork, The Flying Dutchman, consider his conception of its text as a poem rather than a libretto, his integral adoption of leitmotiv, and the Dutchman's entrance scene as it leaves behind the conventional operatic constructs of recitative and aria. x
  • 6
    The Flying Dutchman, Part 2
    Wagner's deep identification with the displaced, misunderstood figure of the Dutchman gives the opera the quality of a spiritual diary. Follow in detail the unfolding of the narrative and the opera's groundbreaking structure rooted in four main musical "events." Study the poetry and rich musical textures of the heroine's ballad, the lovers' contrapuntal duet, and the "moment of truth" culminating in the protagonists' transfiguration through love, a theme that was to become central to Wagner's work. x
  • 7
    Dresden and Tannhäuser, Part 1
    Consider Wagner's working methods and the compositional processes with which he brought a score to life. Then trace his struggles in Dresden following his first success, leading to the creation of Tannhäuser, based in the legend of a medieval minnesinger or poet/minstrel. Study the opera's first act, highlighting the soaring melodies of the anti-hero Tannhäuser's renunciation of the love of Venus, and the musical unfolding of his return to earth to seek a destiny of another kind. x
  • 8
    Tannhäuser, Part 2
    You continue with a scene-by-scene study of the dramatic and musical events of the opera, depicting the minstrel knight's inner battle between the profane lure of Venus and his earthly love, Elizabeth. Explore the musical riches of Elizabeth's passionate aria, the central "festival of song" and the "Pilgrim's Choir," one of Wagner's iconic creations, as Elizabeth offers her own life to redeem Tannhäuser as the music itself carries us to a glorious, divine realm. x
  • 9
    Lohengrin, Part 1
    Wagner began work on Lohengrin with his reputation as a trailblazer firmly established. Begin your study with the groundbreaking overture, with its "celestial" melody evoking the Holy Grail. Continue with act I as the mythic knight Lohengrin arrives to fight a "trial by combat," defending the falsely accused Elsa. Highlighting Elsa's heartfelt prayer to God, Lohengrin's entrance, and his "swan song," this lecture elucidates the dramatic continuity of Wagner's writing, as he increasingly blurs opera's traditional conventions. x
  • 10
    Lohengrin, Part 2
    For the conclusion of Lohengrin, this lecture focuses on the character development and dramatic action that propel the opera. Explore the masterful interchange between the disgraced knight Telramund and his wife, Ortrud; their deception of the heroine Elsa; and Elsa's unwitting betrayal of Lohengrin, as well as the opera's complex denouement, as Wagner brings "real-time" immediacy to the majestic musical narrative. Learn also about Lohengrin's premiere under the auspices of the great pianist/composer Franz Liszt. x
  • 11
    The Escape from Dresden, Exile, and Essays
    Focusing on Wagner's five-year hiatus from composing, trace his political activities amid the revolutionary turmoil of 1848–1849, which led to his escape to safety in Switzerland. During his years of exile in Zurich, he wrote a series of seminal essays, expressing currents of thinking that deeply influenced his later works. In particular, explore his views on art and society, his anti-Semitism, and the ideas that encapsulate his path from opera to "music drama." x
  • 12
    Tristan and Isolde, Part 1
    Track Wagner's intense "spiritual communion" with a young married woman in Zurich and how this passion is mirrored in his masterwork, Tristan and Isolde. Then define Wagner's key innovations with leitmotiv and his use of the orchestra. In Tristan's overture and act I, grasp his use of harmonic tension and dissonance to express sexual tension and unconsummated passion. Focus on the musical dialogue of the "drink-death" scene between the two lovers, culminating in their sublime duet. x
  • 13
    Tristan and Isolde, Part 2
    The musical and dramatic conclusion of Tristan and Isolde is one of Western art's greatest moments. Begin with the lovers' extended "conversation" in act II, as they create a shared vision of final ecstasy and union in death, carried by the rich, constantly shifting harmonies of Wagner's mature musical language. In act III, focus on Tristan's emotional interior monologues and finally Isolde's transcendent "Liebestod," revealing their transfiguration. Conclude with assessments of the nature and magnitude of Wagner's achievement. x
  • 14
    Miracles
    In tracing Wagner's tumultuous personal journey of the 1860s, learn about the disastrous premiere of Tannhäuser in Paris and the unraveling of the composer's first marriage, followed by years of hardship spent seeking performances and fleeing creditors. Then delve into two life-changing events: Wagner's professional dreams flourish under the patronage of King Ludwig II of Bavaria, allowing him to create his late masterworks; and he meets Cosima von Bülow, daughter of Liszt, beginning a pivotal relationship. x
  • 15
    The Mastersingers of Nuremberg, Part 1
    Now, follow the genesis of The Mastersingers as it took shape as an artistic and autobiographical tract amid further personal upheavals for the composer. Enter the culture and history of medieval "mastersinging" and the unfolding plot of the drama, centering on a singing competition for the hand of the heroine Eva. Study the knight Walter's pointedly avant garde aria, as he receives the exact criticism from the mastersingers that Wagner himself had endured over the years. x
  • 16
    The Mastersingers of Nuremberg, Part 2
    Wagner's self-identification with the characters of mastersinger Hans Sachs and the knight Walter drives the narrative of The Mastersingers. In act II, study the musical action of Wagner's comic set piece in which the villain-buffoon Beckmesser attempts to serenade Eva as Sachs "judges" his preposterous singing. In the conclusion of the drama, witness the events leading to the final song competition, pitting Beckmesser against Walter and ending with Walter's resplendent "Prize Song," redeeming him (and Wagner) as an artist-innovator. x
  • 17
    The Ring, Part 1
    This lecture charts the creation of the monumental Ring cycle and the extraordinary story of Wagner's struggles to build a unique theater for its presentation in Bayreuth. Also study the narrative structure of the Ring's first drama, The Rhinegold, and its stunning orchestral prelude. In the opening scene, track the musical confrontation between the three Rhine maidens and the dwarf Alberich as he learns of the power of the gold they guard and acts to steal it. x
  • 18
    The Ring, Part 2
    Now follow the unfolding action of The Rhinegold as the devious god Wotan pays the builders of his castle Valhalla by seizing the stolen gold of Alberich—and the power-granting ring Alberich made from it. Explore the key musical episodes, including the fire god Loge's "Narration," the comic sequence in which Wotan and Loge outwit Alberich, and Alberich's bitter curse on the coveted ring that Wotan takes from him. x
  • 19
    The Ring, Part 3
    The Valkyrie, second drama of The Ring, introduces Wagner's iconic warrior princess, Brünnhilde. Track the narrative scene by scene, focusing on numerous examples of Wagner's musical storytelling, as Brünnhilde determines to help illicit lovers Siegmund and Sieglinde, crossing her father, Wotan. Hear the dramatic power of Wagner's writing for the "heldentenor" Siegmund, the famous "Ride of the Valkyries," the passionate interchange between Brünnhilde and Sieglinde, and the poignant parting of Wotan and Brünnhilde. x
  • 20
    The Ring, Part 4
    As a prelude to Siegfried, the third drama, reflect on the integral role of myth and symbol in Wagner's works. In the drama's opening, encounter the uncouth, "unmoral" figure of Siegfried, orphaned son of Siegmund and Sieglinde, as he discovers his true identity. Study Siegfried's brilliant "Forging Song," where he recasts the broken sword of his father, and the "Forest Murmurs" sequence, as he waits to test himself against the dragon Fafner, present holder of the ring. x
  • 21
    The Ring, Part 5
    In the compelling conclusion of Siegfried, the hero faces trials leading him to destroy the old world order of his predecessors. Encounter musical highlights, including Siegfried's highly charged confrontation with Wotan and the exquisite duet of Siegfried and Brünnhilde. In the opening of The Twilight of the Gods, The Ring's final drama, follow Siegfried's journey to the kingdom of the Gibichungs, where he is duped by the evil Hagen—who covets the ring—into betraying Brünnhilde. x
  • 22
    The Ring, Part 6
    Concluding The Ring, this lecture investigates the complex resolution of the drama, as the deception of Siegfried sets in motion the ultimate undoing of Hagen, the house of Gibichung, Siegfried himself, and finally the kingdom of the gods. Grasp the musical heart of the denouement, from the dark "Oath Trio" to the final, majestic solo of Brünnhilde, revealing her as the true protagonist, redeemer, and bringer of a new "Age of Man." x
  • 23
    Parsifal, Part 1
    Wagner's final music drama combines some of Western art's greatest music with a text representing a seething tract on Aryan racial purity. First, learn about Wagner's deranged and irrational late writings, as related to the genesis of Parsifal. Then, study the complex narrative—as the young innocent Parsifal enters the corrupt kingdom of the wounded Amfortas, guardian of the Holy Grail—highlighting the thematically rich prelude and Amfortas's dramatically beautiful "Blood Solo." x
  • 24
    Parsifal, Part 2
    In the resolution of Parsifal, discover the dramatic action and sublime musical highpoints of the work. Delve into the critical scene between Parsifal and the seductress Kundry, focusing on her glowing, lyric aria. In the final act, witness the return of Parsifal as a Christ-like figure and hear the musical "passion" of Amfortas and the otherworldly orchestral postlude. Conclude with reflections on the interpretation of Parsifal, the death of Wagner, and the provocative questions surrounding his legacy. x

Lecture Titles

Clone Content from Your Professor tab

What's Included

What Does Each Format Include?

Video DVD
Video Download Includes:
  • Ability to download 24 video lectures from your digital library
  • Downloadable PDF of the course guidebook
  • FREE video streaming of the course from our website and mobile apps
Video DVD
Audio Download Includes:
  • Ability to download 24 audio lectures from your digital library
  • Downloadable PDF of the course guidebook
  • FREE audio streaming of the course from our website and mobile apps
Video DVD
DVD Includes:
  • 24 lectures on 6 DVDs
  • 96-page printed course guidebook
  • Downloadable PDF of the course guidebook
  • FREE video streaming of the course from our website and mobile apps
Video DVD
CD Includes:
  • 24 lectures on 24 CDs
  • 96-page printed course guidebook
  • Downloadable PDF of the course guidebook
  • FREE audio streaming of the course from our website and mobile apps

What Does The Course Guidebook Include?

Video DVD
Course Guidebook Details:
  • 96-page printed course guidebook
  • Photos & illustrations
  • Discography of recordings
  • Timeline

Enjoy This Course On-the-Go with Our Mobile Apps!*

  • App store App store iPhone + iPad
  • Google Play Google Play Android Devices
  • Kindle Fire Kindle Fire Kindle Fire Tablet + Firephone
*Courses can be streamed from anywhere you have an internet connection. Standard carrier data rates may apply in areas that do not have wifi connections pursuant to your carrier contract.

Your professor

Robert Greenberg

About Your Professor

Robert Greenberg, Ph.D.
San Francisco Performances
Dr. Robert Greenberg is Music Historian-in-Residence with San Francisco Performances. A graduate of Princeton University, Professor Greenberg holds a Ph.D. in Music Composition from the University of California, Berkeley. He has seen his compositions—which include more than 45 works for a wide variety of instrumental and vocal ensembles—performed all over the world, including New York, San Francisco, Chicago, Los Angeles,...
Learn More About This Professor
Also By This Professor

Reviews

Music of Richard Wagner is rated 3.8 out of 5 by 45.
Rated 5 out of 5 by from Robert Greenberg's Music Lectures I have purchased most of Dr. Greenberg's lectures because they are lively, informative and bring so many new insights into the creation and performance of great music. Listening to Dr. Greenberg is like having Mark Twain discussing a musical work in your living room, with his original analogies and entertaining anecdotes. These lectures about the life and works of Richard Wagner bring this controversial composer and his art to life.
Date published: 2016-08-07
Rated 5 out of 5 by from Music of Richard Wagner I am a musician and I play the alto saxophone and the piano. I love classical music and jazz. I have purchased all of Robert Greenberg's offered by the Great Courses website. I have enjoyed all of them. My foray into the world of opera began about three years ago. I started by listening to Greenberg's courses on How to Listen and Understand Opera, the Operas of Mozart and the Life and Music of Verdi. Wagner is the last of the opera related courses that I have listened to. Greenberg has an energetic and humorous style of presentation. He rates five stars on that level. He takes complex subjects, such as the musical architecture of Bach's titanic St. Matthew Passion, and makes it comprehensible. He accomplishes a similar feat in this course by un veiling the mysteries of Wagner's complex orchestrations. Greenberg is candid about Wagner's character flaws and he is correct to point them out. Wagner was a musical genius, but he was also a repellent human being. I think that Greenberg makes it clear that Wagner's character flaws, as unpleasant as they may be, do not detract from his musical accomplishment. This was an entertaining and educational course. With Greenberg as my guide, I have started to make my way though Wagner's operas. I really have enjoyed The Flying Dutchman, Tannhauser and The Mastersingers of Nuremberg, but found Lohengrin an insufferable, hellishly overlong, bore. I am just making my way through the ring and I like what I hear. Thanks to Robert Greenberg I have been able to learn and appreciate opera and as a result I am now a complete convert to the cause. This is another outstanding offering from The Great Courses.
Date published: 2016-07-08
Rated 5 out of 5 by from Greenberg Does it Again! This is my fourth Robert Greenberg course, and like the other three, it is filled with interpretation, tidbits, and notes--in this course, on the life and times of Richard Wagner. First, Wagner did not compose opera, rather he wrote music drama by composing the music, writing the poetry and libretto, cerating the staging and costuming, and producing the final drama. Dr. Greenberg interprets the lush, heraldic music and the German libretto in an understandable, conversational way. He includes occasional "naughty" German words, and loose translations of complex ideas. I first heard Wagner (Die Meistersinger von Nurmberg) in my teen years. I was captivated by the rich horns and the lush strings. However, I did not know of the conflicted life of Wagner--his chronic indebtedness, his anti-Semitic ideas incorporated in his music, and his personal interpretation of Christianity. I learned of these through this course. Moreover, I learned of Hitler's veneration of Wagner, and Nietzche's condemnation of Wagner. This course includes examples of the entire repertoire of Wagner. It is interesting to trace his orchestral compositions from his early years to the sublime compositions of his later years. Without this course, it would be difficult to have these comparisons. Another Great Course! Greenberg does it again!
Date published: 2015-12-31
Rated 4 out of 5 by from Love the music, loath the man I have mostly seen Wagner's operas on DVD so I was already exposed to his work before watching Greenberg's lectures. So, I had some familiarity with the man's work but not so much on Wagner himself. After finishing the course, I can say that while I would have loved to hear him perform in public, I think I would have found him to be a odious human being. A man who thought of himself as the new god of music and a Germanic Nietzschean Übermensch. He ruined many peoples lives, but he created some of the most sublime music ever written and changed the face of music forever. Greenberg is a fine lecturer, thought it seems to me that he very much likes the sound of his own voice. Still, he is very knowledgable in his subject and I continue to learn more about our culture's musical heritage. Wagner could easily be compared with Tolkien and George Lucas in their respective skills of myth making. All three men brought together a variety of genres to create new worlds in which to look at humanity. Unlike Greenberg's other opera courses, he features a list of DVD's of Wagner's operas to sample. it is a good list, but I would have liked to have seen more than just one production to represent the vast range of interpretations of Wagner's works. All in all, it was a good course and I think anyone with an interest in opera or Wagner or past listeners of Greenberg will find it interesting.
Date published: 2015-09-25
Rated 3 out of 5 by from This Course Falls a Little Short I like Robert Greenberg's teaching, and I love Wagner's music, but this course is a bit of a disappointment. The reason that I like Greenberg's teaching is that he usually analyzes the music so that people taking the course can understand it. For example, his courses on Bach and Beethoven are excellent. In this course, Greenberg focuses on explaining the plots in various Wagner operas and music dramas. I am able to get that information from reading liner notes and librettos. Perhaps Greenberg could have discussed both the plots and the music if he had focused on fewer operas. I learned much more when I took other courses by Greenberg than I did with this course.
Date published: 2015-06-13
Rated 5 out of 5 by from Extraordinary Owning as I do an entire CD/DVD case of Wagner Operas and musical etc. selections along with a bookcase full of 100+ books on Wagner, Cosima, the family, Beyruth, Wagner conductors (including the great Anton Seidl), and so on ... having played Wagner in an orchestra setting (trumpet) ... and thus with a fairly intimate knowledge of the subject matter ... I can say without hesitation that Professor Greenberg's course is top rate. If you're interested in Wagner, his music, his music dramas or his historical/cultural/musical context, etc. buy these, trust Professor Greenberg, learn and enjoy. This is one of the great life enriching bargains. I give it an A++.
Date published: 2015-03-12
Rated 3 out of 5 by from Too much like Wagner As this is music appreciation course and not musical theory, I feel the majority of the time should be spent listening to Wagner's music and not Professor Greenberg's words. The Professor is truly knowledgeable and like Wagner bent on proving it to us. I do not believe presenting multiple scene discussions or libretto readings should be inserted between the sparse musical selections. Opera is first about experiencing and secondly about understanding with that taking place on multiple levels. I can not feel or rationalize musical emotions by being told about them, I must listen first to form my own sublime impression . To paraphrase the Emperor to Mozart upon hearing "The Abduction from the Seraglio", there was too many notes except in this case too many words
Date published: 2015-01-11
Rated 5 out of 5 by from
Date published: 2014-12-03
  • y_2017, m_7, d_19, h_14
  • bvseo_bulk, prod_bvrr, vn_bulk_1.0.0-hotfix-1
  • cp_1, bvpage1
  • co_hasreviews, tv_1, tr_44
  • loc_en_US, sid_7290, prod, sort_[SortEntry(order=SUBMISSION_TIME, direction=DESCENDING)]
  • clientName_teachco
  • bvseo_sdk, p_sdk, 3.2.0
  • CLOUD, getContent, 5.55ms
  • REVIEWS, PRODUCT

Questions & Answers

Questions

1-10 of 11 Questions
1-10 of Questions

Customers Who Bought This Course Also Bought

Buy together as a Set
and
Save Up To $18.00
Choose a Set Format
$97.90
$61.90
$151.90
$539.90
Video title