This experience is optimized for Internet Explorer version 9 and above.

Please upgrade your browser

Video title

Priority Code

Cancel
World's Greatest Paintings

World's Greatest Paintings

Professor William Kloss M.A.
Independent Art Historian
Course No.  7126
Course No.  7126
Share:
Video or Audio?
While this set works well in both audio and video format, one or more of the courses in this set feature graphics to enhance your learning experience, including illustrations, images of people and event, and on-screen text.
Which Format Should I Choose? Video Download Audio Download DVD CD
Watch or listen immediately with FREE streaming
Available on most courses
Stream using apps on your iPad, iPhone, Android, or Kindle Fire
Available on most courses
Stream to your internet connected PC or laptop
Available on most courses
Download files for offline viewing or listening
Receive DVDs or CDs for your library
Play as many times as you want
Video formats include Free Streaming
Video formats include Free Streaming

Course Overview

About This Course

24 lectures  |  30 minutes per lecture

Great paintings challenge us to understand them, to penetrate their mysteries, and to appreciate their riches. But within the vast history of art, there exist only a small number of paintings that transcend the traditional role of art to become cultural signifiers—works that allow us to comprehend more deeply the world and our place within it.

So what distinguishes one of these select masterworks? Dazzling in their visual impact and their grip on the imagination, the world's greatest paintings

  • challenge the conventions of the art of their times, extending or transforming the painter's visual language and broadening the impact of art in Western societies;
View More

Great paintings challenge us to understand them, to penetrate their mysteries, and to appreciate their riches. But within the vast history of art, there exist only a small number of paintings that transcend the traditional role of art to become cultural signifiers—works that allow us to comprehend more deeply the world and our place within it.

So what distinguishes one of these select masterworks? Dazzling in their visual impact and their grip on the imagination, the world's greatest paintings

  • challenge the conventions of the art of their times, extending or transforming the painter's visual language and broadening the impact of art in Western societies;
  • serve as visual anchors of faith, politics, philosophy, mythology, literature, and every phase and aspect of social history; and
  • depict human life in visions of enduring power, reflecting and affecting the times and cultures in which they were created.

Now, in 24 illuminating lectures, The World's Greatest Paintings leads you in a compelling discovery of some of the most significant paintings in Western art. Taking you from the 14th century to the 20th, distinguished art historian and veteran Great Courses Professor William Kloss reveals a group of works that, in his expert judgment, rank among the greatest paintings ever made.

The World's Greatest Paintings explores one of the supreme legacies of human life, opening rich perspectives on Western civilization through your encounter with these daring and sublime works of art.

Enter the Richness of the Painter's World

From the opening lecture, Professor Kloss demonstrates that his aim is "to make you feel welcome and comfortable in the company of paintings." With this focus, he guides you in a direct and engaging encounter with the images themselves, challenging you to consider how and why these paintings affect us, and inviting you to join him in looking deeply into the painter's multidimensional visual realm.

Focusing on 65 masterpieces of Western painting, including key works by Giotto, Titian, Vermeer, Rembrandt, and Picasso, The World's Greatest Paintings offers you a vivid, visceral encounter with genius, shining light on the unique technical, stylistic, and expressive achievements of each painting.

As a foundation for the inquiry, you consider ways of defining greatness in painting:

  • Uniqueness: The qualities that set a painting apart from all others in a way that influences or changes the course of art
  • Impact: A painting's effect on viewers, both initial and cumulative
  • Emotional and intellectual resonance: The deepening, comprehensive experience of a painting, justifying its initial impression

Throughout the series, you witness the depth of painting's interface with Western social institutions, culture, and thought.

Beginning with the 14th-century religious masters, you see how painting affirmed the foundations of Christian theology in the glorious images of Duccio, Masaccio, and Grünewald. You see how painters responded dramatically to political events in David's stark portrayal of the assassinated Jean-Paul Marat and in Delacroix's allegorical Liberty Leading the People. And you see Western social culture eloquently revealed in scenes of life by Bruegel, Steen, Hals, and Manet.

Rather than tracing particular schools or "isms," the lectures are arranged chronologically, showing what painters of contrasting traditions and cultures were doing in the same time periods, thus following the progressive unfolding of each painter's art. And with most lectures limited to only two to three paintings, you enjoy the rare chance to hear an expert talk at length about each carefully selected work.

Landmarks of a History-Shaping Art Form

As a core feature of the course, your study of these canvases builds the skill of viewing a painting with real discernment through an enthralling examination of the elements of composition, technique, and expression.

Among many iconic works, Professor Kloss offers a fresh look at these legendary paintings:

  • Leonardo's The Last Supper: One of the most influential paintings in the history of Western art, Leonardo's magnum opus achieves an extraordinary blending of vivid psychological detail and rich theological symbolism.
  • Velazquez's Maids of Honor: The artist's tour de force composition portraying courtiers, retainers, and an implied royal presence, its technical mastery and intriguing ambiguities have been discussed for centuries.
  • Monet's Water Lilies: Monet's lush, shimmering color and light in this grand series of paintings place it at the pinnacle of 20th-century art.

Your investigation also highlights some fascinating, less familiar masterworks:

  • Geertgen's Madonna with Musical Angels: A radiant work of genius, this small-format work pulsates with layer upon layer of minute, symbolic details.
  • Gorky's The Plough and the Song, 1947: A triumph of abstract art, this glowing canvas evokes nature-based forms in a joyous, sunlit field of color.

Professor Kloss draws your attention to numerous points of entry for appreciating a painting, showing you how to evaluate composition (the artist's arrangement of pictorial elements within the frame), style, interpretation, and technical elements such as light, color, and brushwork.

Above all, the qualities of these paintings come alive through Professor Kloss's vivid demonstration of what it is to look deeply, through his richly incisive reflections on the paintings. He shows you how Rembrandt expresses deep emotion in The Jewish Bride through a liquid modeling of hands and jeweled fabric, in paint that "lives and moves." You share his experience as a viewer "breathing the air" of Claude Lorrain's magnificent landscapes. And, with remarkable candor, he conveys his own wrenching response to Hans Hofmann's to JFK: thousand roots did die with thee.

Teaching of a Rare and Penetrating Dimension

Speaking with a passionate conviction of the value of these works, Professor Kloss deepens your enjoyment by delving into the stories behind their creation and by highlighting fascinating details of the paintings.

In Van Eyck's Madonna of the Canon van der Paele, 1436, you learn of the highly unusual placement of a pair of eyeglasses in the composition and its relation to the biblical Magnificat in "magnifying" the Lord. You learn that the masterful pictorial composition of Whistler's mother seated in profile came about because she was too frail to stand, as originally planned. And you learn the details of Edvard Munch's dark vision while walking on a bridge at night, which found expression in his famous The Scream.

Taking his cue from the deeper motives that inspired these great works, Professor Kloss uses pictorial analysis to bring you directly into the presence of the extraordinary, elemental power of these paintings—their power to astonish, to uplift, to unsettle, to ultimately shake our sense of reality, leading us to richer domains of experience and of the appreciation of life.

View Less
24 Lectures
  • 1
    Greatness in Painting
    What makes a masterpiece? Look at criteria for defining greatness in painting, including a work's uniqueness and the quality of its impact, both immediate and cumulative. x
  • 2
    The Majesty of Duccio and Giotto
    Your exploration begins with two composite masterworks of Italian painting. In the Maestá altarpiece by Duccio, grasp the elements of the painting's visual impact and spatial carrying power, its dramatic composition and imagery. In the Arena Chapel frescoes by Giotto, study the powerful depictions of devotion and grief in two narrative scenes. x
  • 3
    Acts of Faith—Masaccio, Van Eyck, Van der Weyden
    This lecture traces landmark religious imagery in 15th-century painting. Define Masaccio's narrative ability in two biblical fresco scenes from the Brancacci Chapel. Then discover Jan van Eyck's brilliant melding of realistic portraiture and sacred images in Madonna of the Canon van der Paele, and the emotional intensity and compositional richness of Rogier van der Weyden's Deposition of Christ. x
  • 4
    The Diversity of Piero, Mantegna, Botticelli
    You now encounter three major painters of the Italian Renaissance. In Piero della Francesca's Resurrection, reflect on the fresco's commanding image of the risen Christ and its mathematical composition. Later, contemplate Andrea Mantegna's extraordinary innovations in "illusionistic" painting and the luminous mysteries of Botticelli's Primavera. x
  • 5
    The Devotion of Bellini, Geertgen, Dürer
    You continue with three extraordinary evocations of religious devotion. In Bellini's St. Francis in the Desert, witness the portrayal of the saint's passion for nature by means of divine light. Study the multilayered pictorial details enriching Geertgen's Madonna with Musical Angels and the spiritual import in Dürer's monumental Self-Portrait. x
  • 6
    Masterworks by Leonardo, Raphael, Correggio
    Track the dramatic interaction of the human figures in Leonardo's iconic Last Supper and the composition's rich theological symbolism. Then define Raphael's embodiment of High Renaissance ideals in Baldassare Castiglione, and the poetic eroticism of Correggio's illusionistic Jupiter and Io. x
  • 7
    Great Ensembles—Michelangelo and Grünewald
    In scenes from Michelangelo's stunning Sistine Chapel ceiling, study the compositional power of The Creation of Adam and the weighty emotion of the ominous Prophet Jeremiah. Continuing with a highly contrasting masterwork of German art, penetrate the mystical evocation of suffering and ecstasy in Matthias Grünewald's Isenheim Altarpiece. x
  • 8
    Ideal and Real—Giorgione, Titian, Holbein
    You encounter the Concert Champêtre (1510–1511), worked on by both Giorgione and Titian, uncovering the enigmatic imagery of its Arcadian scene. Then study Titian's radiant portrayal of the Virgin Mary in the Assumption and the richly detailed execution of Holbein's portrait, Charles de Solier. x
  • 9
    Living and Dying—Bruegel, El Greco, Caravaggio
    Explore three contrasting 16th-century masterworks. In Bruegel's Hunters in the Snow, investigate the artist's layering of descriptive scenes within a vast space. Conclude with the haunting details and symbolic compositions of El Greco's Burial of Count Orgaz and Caravaggio's The Entombment. x
  • 10
    Life Stories by Ter Brugghen, Rubens, Steen
    Probe Hendrick Ter Brugghen's tender, understated evocation of the healing of St. Sebastian. Then learn about Rubens's ingenuity as a court painter in his operatic Landing of Marie de Medici in Marseilles, and the masterful organization and roguish imagery of Jan Steen's The way you hear it, is the way you sing it. x
  • 11
    Inside Vermeer, Velázquez, Rembrandt
    Explore three introspective works of genius. In View of Delft, reflect on Vermeer's purpose in this becalmed, idealized rendering of his city. Also decode the ambiguous, philosophical composition of Velazquez's Maids of Honor, and Rembrandt's richly costumed, stoic portrayal of himself in his Self-Portrait of 1658. x
  • 12
    Spirit and Thought—Hals, Rembrandt, La Tour
    Study Hals's penetrating treatment of elderly women in a Haarlem group portrait. Then explore Rembrandt's expression of a couple's deep emotion through an intimate configuration of hands and fabric, and La Tour's evocation of mystical contemplation through a flame. x
  • 13
    The Serenity of Poussin, Claude, Watteau
    Define the measured grace and brilliant use of color, shape, and gesture in Poussin's Eliezer and Rebecca. Study the elements of Lorrain's consummate mastery of the landscape, and the dreamlike qualities of Watteau's wistful fantasy, the Embarkation for Cythera. x
  • 14
    In Contrast—Chardin, Tiepolo, Gainsborough
    Three diverse works reveal 18th-century achievements in painting. In a small still life, ponder Chardin's delicate, intimate portrayal of game animals in death. Then discover Tiepolo's apotheosis of fresco painting in Apollo and the Four Continents, and Gainsborough's ingenious melding of sitter and landscape in his portrait Mrs. Richard Brinsley Sheridan. x
  • 15
    Dark Images of David, Goya, Friedrich
    Portrayals of brutality open this lecture. Observe David's merging of idealized presentation and realism in the stark Death of Marat, and Goya's bitter vision of military retaliation in Third of May, 1808. Finally, study the Romantic evocation of nature in Friedrich's Man and Woman Contemplating the Moon. x
  • 16
    The Worlds of Constable, Turner, Delacroix
    Compare the styles and originality of British landscape masters Constable and Turner, highlighting Constable's compositional technique and signature cloud-filled skies, plus Turner's bravura use of color and light. In Delacroix's Liberty Leading the People, examine the artist's allegorical fusing of symbol and reality in the heat of France's 1830 revolution. x
  • 17
    Dark to Bright—Courbet, Church, Monet
    French and American canvases reveal bold innovations in 19th-century painting. Contemplate the elements of Realism in Gustave Courbet's sprawling, slow-motion composition of a rural funeral, followed by Frederic Church's dynamically original depiction of Niagara Falls. Then study Monet's blaze of sunlight and color on a snowscape in The Magpie. x
  • 18
    Alone and Together—Whistler, Degas, Renoir
    In the ever-familiar image of Whistler's mother seated in profile, observe the superlative blending of abstract, formal composition with the intimate portrayal of a living woman. Follow with the pictorial riches and psychological ambiguities of Degas' In a Café, and the virtuoso staging and color of Renoir's Luncheon of the Boating Party. x
  • 19
    Unlike Any Other—Sargent, Manet, Seurat
    In John Singer Sargent's elusive portrait of the daughters of a friend, ponder the unusual placement and psychological separation of the subjects. Then, explore the deliberate unreality of Manet's Bar at the Folies-Bergère, and Seurat's suspended, Pointillist rendering of Parisians in A Sunday on La Grande Jatte. x
  • 20
    Close Observation—Cézanne, Van Gogh, Homer
    Uncover the structural geometry and unity of focus in Cézanne's The Card Players, as they create the weighty, timeless concentration of the figures. Also witness the structure and balance of Van Gogh's sun-baked vista in The Harvest, and Winslow Homer's dramatic merging of self with subject in Fox Hunt. x
  • 21
    The Human Condition—Munch, Matisse, Schiele
    Analyze Munch's pictorial composition of The Scream, as its pulsating visual field embodies the figure's cry of psychic terror. In stunning contrast, study Matisse's lyrical, floating colors and figures in The Joy of Life, then conclude with Egon Schiele's The Family and its bold evocation of his own hopes and fears. x
  • 22
    Art in Time of War—Monet and Picasso
    Two milestones of 20th-century art: Learn about the creation and the architectural display of Monet's transcendent series of water-lilies, parsing his superlative brushwork reflecting sky, clouds, and sunlight on water. Then take apart the writhing, nightmarish images in Picasso's Guernica, evincing his pained response to the atrocities of war. x
  • 23
    Time and Memory—Magritte, Hopper, Gorky
    In Magritte's Time Transfixed, observe how the artist calmly dislocates our sense of temporal and physical reality. In the famous Nighthawks, study Hopper's careful, deliberate design evoking the silent separateness of the figures. Finally, trace Gorky's inspired craft in bringing to life the joyful explosion of color in The Plough and the Song. x
  • 24
    Expressive Abstractions—Pollock and Hofmann
    Track Jackson Pollock's whole-body approach to putting paint on canvas, and tease out the layered color fields in his elemental force of nature, Lavender Mist. Then contrast Hans Hofmann's mastery of geometry and color with his brutal, agonized creation, to JFK. Conclude with reflections on the power of great art. x

Lecture Titles

Clone Content from Your Professor tab

Your professor

William Kloss
M.A. William Kloss
Independent Art Historian

Professor William Kloss is an independent art historian and scholar who lectures and writes about a wide range of European and American art. He was educated at Oberlin College, where he earned a B.A. in English and an M.A. in Art History. He continued his postgraduate work on a teaching fellowship at the University of Michigan and was then awarded a Fulbright Fellowship for two years of study in Rome. As Assistant Professor of Art History at the University of Virginia, he taught 17th- and 18th-century European art and 19th-century French art. Professor Kloss has enjoyed a long association with the Smithsonian Institution, presenting more than 150 courses in the United States and abroad on subjects ranging from ancient Greek art to Impressionism to the works of Winslow Homer. He has also been a featured lecturer for the National Trust for Historic Preservation and for The Art Institute of Chicago. Professor Kloss serves on the Committee for the Preservation of the White House, a presidential appointment he has held since 1990. He is the author of several books, including Art in the White House: A Nation's Pride (2nd edition), which won the 2009 National Indie Excellence Award in the Art Category, as well as a 2009 USABookNews award for Best Book in Art. Most recently, he coauthored the United States Senate Catalogue of Fine Art. He also has written articles published in Winterthur Portfolio, The Magazine Antiques, American Arts Quarterly, and Antiques & Fine Art.

View More information About This Professor
Also By This Professor
View All Courses By This Professor

Reviews

Rated 4.8 out of 5 by 51 reviewers.
Rated 5 out of 5 by Thank You For This Course Prof. Kloss is both knowledgeable and charming so the time just flies by in his lectures. He can get emotional but usually is wry. I cannot appreciate the importance that he attaches to diagonals, triangles and circles etc. in the composition of paintings. While many of the rest of the paintings that he showed and discussed are in many ways admirable, to put it mildly, subject to my subjective and humble view there are only five of them that I would be overjoyed to possess. I dream on. The five are in order of how I esteem them, from the best to the merely terrific are: 1. Jackson Pollock's "Lavender Mist". 2. John Constable's "Wivenhoe Park". 3. Johannes Vermeer's "View of Delft". 4. Edwin Church's "Niagara". 5. Hans Holbein's "Charles De Solier Sieur De Morette". September 30, 2014
Rated 5 out of 5 by My First Course I loved that Professor Kloss has a sense of humour when discussing the paintings. He is a bit tongue and cheek occasionally, but how refreshing is that in a world of art critics and historians who take themselves much too seriously? I wouldn't hesitate to buy any course with Mr. Kloss at the helm. The details of the paintings (sometimes shown with arrows or circles or highlighted colours) made such a difference to my awareness of composition or subject matter. I also liked his biographical overviews, mention of historical context, and comments about the inter-relatedness of a subject or artists. August 5, 2014
Rated 5 out of 5 by Another Gem Professor Kloss is once again outstanding. His presentation is thoroughly professional and erudite. The background knowledge is presented carefully, leading one through not only the painting but the artist and its cultural milieu. There is an underlying sense that he could lecture on each piece for hours, but has chosen just enough to whet the appetite and subtly encourage further individual study. I appreciated his decision to present the chosen paintings in a generally chronological order. It made it easier to understand transitions; style, subject matter, techniques and so forth. The future will find me again taking additional classes from Professor Kloss. February 8, 2014
Rated 5 out of 5 by One of the courses you hate to see end! I am currently viewing this course and enjoying it very much. I'd viewed another course given by Professor Kloss, and he was one of the reasons I ordered this one. His presentation style is courtly, friendly, engaging and interesting. He speaks to the viewer and connects the viewer to the painting he is discussing. He clearly states that these particular favorites are ones he has selected for their overall impact and for the impression they made upon him, and that any "world's greatest" will be, by definition, subjective. Some of the works he has selected were not favorites of mine to start with, but he presented a strong cases for them and did make me look at them in a different light. Others were works I'd loved for years and it is a pleasure to hear them discussed. The sessions fly by - I'd gladly listen to Prof. Kloss for hours! I'm very happy that I purchased this course and would recommend it to others. January 27, 2014
2 3 next>>

Questions & Answers

Customers Who Bought This Course Also Bought

Some courses include Free digital streaming.

Enjoy instantly on your computer, laptop, tablet or smartphone.
Buy together as a Set
and
Save Up To $480.00
Choose a Set Format
$124.90
$149.90