How to Paint

Course No. 7827
Professor Ricky Allman, MFA
University of Missouri–Kansas City
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4.3 out of 5
89 Reviews
84% of reviewers would recommend this product
Course No. 7827
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What Will You Learn?

  • How to use value, texture, color, perspective, and other tools to achieve amazing effects.
  • Explore both the technical and intuitive elements of painting.
  • Understand why color itself is less important than other components, like value, contrast, and context.
  • How to select brushes, surfaces, and other elements of painting and figure out which ones work for your style.
  • Expand your learning with our How to Paint Facebook group here.

Course Overview

Since the earliest days of human society, we have been painters. Lining ancient cave walls, the oldest known paintings in the world date back over 50,000 years. Despite the fact that painting is such an integral part of human civilization, many people feel intimidated by the medium. Perhaps the intimidation stems from the knowledge that some of the greatest works took years (or even a lifetime) to complete. Or maybe it’s the more technical aspects of painting that holds would-be artists back—the dozens of brush types, the unpronounceable pigments, the unfamiliar terms like chiaroscuro and grisaille. For these reasons and numerous others, painting can feel like an inaccessible art form. And yet, many people joyfully painted as children—who doesn’t smile when remembering the tactile thrill of fingerpainting or those little watercolor palettes of primary colors in elementary school?

Like drawing, creative writing, or musical performance, the ability to paint is a skill that can be learned and refined over time, by anyone. In the 24 lessons of How to Paint, taught by award-winning artist and professor Ricky Allman of the University of Missouri–Kansas City, you will get the art school experience from the very first demonstration. Not only will you learn how to select your tools and apply techniques, but you will also develop the visual skills and muscle memory that make painting an infinitely adaptable form of artistic expression. From understanding your painting surface and which brushes to use to utilizing reference images and learning the proper way to layer oil paint, you will join Professor Allman as he leads you step by step through hands-on demonstrations, with clear, illuminating explanations supported by numerous helpful graphics.

As you move through the lectures and follow Professor Allman’s tutorials, you will:

  • Become familiar with a variety of surfaces and discover how to choose what will work for you;
  • Learn how to use value, texture, color, perspective, and other tools to achieve amazing effects;
  • Compare and contrast working with oil paints and acrylic paints;
  • Explore both the technical and intuitive elements of painting;
  • Understand how to select subjects and compose elements; and
  • Look at different ways to approach painting still life, portraits, landscapes, and more.

Tools of the Trade

The sheer volume of implements and accessories available to a painter can be overwhelming. A variety of surfaces, easels, brushes, paints, pigments, thinners, mediums, and much more are widely available in a range of qualities and prices. So where do you start with so many choices? Professor Allman begins by helping you narrow your options from this plethora of materials so you can get started, beginning by looking at basic surfaces, the most essential brush types, and how to keep yourself from getting overwhelmed by limiting your color palette.

A crucial, often overlooked, aspect of painting is that painting is actually a very physical art form that requires the painter to learn new ways to move as well as new ways to see. To truly paint freely and with confidence, you must break certain habits and develop new ones. For example, since many of us are so used to writing, when you first pick up a brush to paint, you may be inclined to limit your motion to your hands. Painting, however, requires not just your fingers, but your wrist, elbow, and even shoulder to achieve the most expressive brushstrokes and to widen your visual field beyond the minute movements of your hands. Professor Allman shows you more than just how to approach the physical side of painting, including how to practice it regularly to build your skills, relax your approach, and enhance your repertoire of movements.

Other tools and techniques may be less tangible. Important to remember is that no painter works in a vacuum; thousands of painters have come before you. Their influence is not just inspiration, but also serves as a valuable tool for you to learn technique and to exercise your own skills. In the past, copying the work of masters was one of the primary ways apprentice artists learned their trade. While you will not copy other artists directly, these lectures feature a sampling of images from painters across the centuries. You will see items from nameless portraitists of the ancient world to the artists that have defined entire artistic movements, as well contemporary artists working today and pieces from Professor Allman’s own portfolio—all of which allow you to see technique in action and to enhance your appreciation of the painting tradition.

Master the Fundamentals

There are many techniques to master in painting that are specific to the medium, yet just as important are the visual tools that are intrinsic to visual art in general: value, composition, color theory, perspective, and more. Throughout the lessons, you will engage with—and continually refinehe foundational skills that will allow you to create dynamic images, from initial sketches all the way through to your finished piece.

You will begin your first forays into painting with acrylic paints and a few basic brushes, adding to your toolkit as you progress. After you have experimented with various techniques and have become comfortable with them, you will then move on to exploring the somewhat more challenging (though very rewarding) medium of oil paint, broadening both your range of tools and your repertoire of skills over the course of each lesson. Critcally important to the skill of painting is the ability to make artistic choices. Professor Allman walks you through the crucial decisions you will need to make that allow you to create the work that matches your vision.

Rules Are Meant to Be Broken

Before Picasso started rearranging his subjects into the experimental, two-dimensional abstractions of cubism he is best known for, he was a classically trained artist rooted in a realistic tradition. While it is true that you can start out painting in whatever manner or style you choose, it certainly helps to master the rules first—so you can break them with skill and confidence later.

As you follow along with his demonstrations, Professor Allman debunks some common misconceptions and reveals the immense range of possibilities you can discover through painting, exploring:

  • Why the Golden Ratio is not the only, and sometimes not the best, tool for composition;
  • When using a brush the “wrong” way—pushing paint rather than pulling it—can achieve unique (but hard to control) effects;
  • How a strong technical understanding of perspective can help create fantastical spaces in your work as well as realistic ones;
  • Why color itself is less important than other components, like value, contrast, and context; and
  • How surface texture can alter the visual experience of a painting, even though the viewer doesn’t actually “feel” the texture physically.

Join In an Illustrious Tradition

How to Paint immerses you in the painting process from start to finish, with step-by-step demonstrations in every lesson. Professor Allman’s years of experience as an artist and teacher enable him to provide the perfect introduction to an immense artistic tradition, infusing each session with passion and humor, so even the most technical and traditional methods become fun and approachable under his guidance. Though aimed primarily at beginners, this course offers an insider’s look at technique and offers methods and approaches that can help experienced painters elevate and expand existing skills as well.

By honing your observational skills and stretching your imaginative capacity, painting can quite literally help you see the world differently. Whether you work in oils or acrylics, favor realism or the abstract, or prefer landscape to still life, the tools and techniques you will learn can help you develop a wide range of skills that you can bring to any project or composition. Painters have been testing the boundaries and expanding the medium for thousands of years, creating an invaluable collection of resources that make it easier than ever for a new painter to pick up a brush and bring ideas to life. Now you can join that amazing tradition, too.

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24 lectures
 |  Average 32 minutes each
  • 1
    The Painter's Toolkit
    Begin by learning how to embrace the physicality, messiness, and freedom inherent in the earliest stages of a painting. Professor Allman demonstrates how to practice loose, dynamic paint strokes using your entire arm—not just your fingers and wrist—and also goes over some of the basic supplies you will use when starting out. x
  • 2
    Getting Started: Surfaces and Brushwork
    You have your (acrylic) paints and your brushes, now what? First, learn what kinds of surfaces are best for beginning painters and how to choose the one that works for you. Then, follow Professor Allman as he walks you through a demonstration on creating gradients, and get to know the kinds of brushes you will use to achieve different lines and effects. x
  • 3
    Fundamentals: Establishing Value
    Value—the spectrum of light and darkness in an image—is crucial to the way our brains translate images into meaning. See why understanding value is more important than understanding color, and develop your ability to pinpoint value differences in your subjects. Follow along with a demonstration on how to break an image down into its fundamental values. x
  • 4
    Fundamentals: Building Volume
    This lesson opens with a brief look at the rendering of three-dimensional forms using light and shadow, known as volume, and why it is easier to achieve than you might think, once you know how to look at the effects of light. Paint geometric objects using your new understanding of light sources, cast shadows versus form shadows, and reflective effects. x
  • 5
    Fundamentals: Basics of Color Theory
    Understanding color is about discerning the subtle differences in value, hue, and saturation. Professor Allman introduces practical color theory and shows you how to break colors down into a simple matrix so you can create the shades you need. Learn how to directly mix paints and the principles of optical mixing as you create your own 12-step color wheel and value scales. x
  • 6
    Fundamentals: Creating Color Palettes
    Why is color like musical notes? In this second look at color, learn how context and interaction is key, and why a limited palette of four or five colors can be surprisingly powerful. Create a quick painting from a monochrome reference image, using just four colors, while utilizing ratio, value, and temperature to do the heavy lifting of the piece. x
  • 7
    Fundamentals: Compositional Choices
    Step beyond the basics and explore broader elements of painting. Look at arrangement and composition, exploring ideas of symmetry, hierarchy, dynamics, and more. Discover why traditional approaches like the Golden Ratio aren't the only options for arranging your work, and end with a sketching session to explore how to plan your work before you start painting. x
  • 8
    Putting It All Together: A Simple Landscape
    Apply everything you have learned so far and paint a simple landscape with acrylic paints, based on a photographic reference. Professor Allman goes over all the tools you will use and leads you through the process of sketching, beginning with mapping major, medium, and small value areas and finishing with details. x
  • 9
    Creating Linear Perspective
    Like value and volume for objects, linear perspective will help you create the appearance of architectural space on a 2-D surface. Though it can be challenging for even experienced artists, the principles are actually fairly simple. Master elements of linear perspective and then put them into practice as you follow along with Professor Allman's demonstration. x
  • 10
    Creating Atmospheric Perspective
    Explore the ways you can create the illusion of large distances using the techniques of atmospheric perspective, including making objects more or less distinct and creating contrast between the foreground, middle ground, and background. Practice creating a grand sense of space with a simple landscape of hills and mountains. x
  • 11
    Putting It All Together: A Still Life
    Hone your observational skills and develop your personal creative perspective as you tackle a still life composition. Professor Allman's demonstration will help you bring together all the techniques you have learned so far while still allowing you to arrange your own subject and to make crucial decisions about value, proportion, and more. x
  • 12
    Working with Oils
    Oil paints have been the most popular painting medium since the European Renaissance. Transition from acrylics to the traditional realm of oil paints, exploring the many benefits—blending and transitions, texture, the rich pigments—while also learning how to deal with some of the more challenging aspects, such as varied drying times and toxicity. x
  • 13
    Traditional Oil Techniques: Grisaille
    Continue your foray into oil painting, starting with the versatile, monochromatic underpainting technique known as grisaille. Create an underpainting from a reference image, utilizing paint that has been thinned to create a smooth surface for the overpainting. After your underpainting is complete and dry, progress to adding thin, luminous layers of color. x
  • 14
    Working with Acrylics
    Return to acrylics to explore their advantages and disadvantages and how to use techniques that are particularly suited to them: glazing, sanding, and masking. Explore different mediums you can incorporate to slow drying time or change paint consistency, and watch Professor Allman as he begins work on a street scene in acrylics. x
  • 15
    Playing with Mediums
    If you don't touch paintings, why is surface texture so important? As it turns out, the visual surface quality of a painting can trigger the area of the brain that processes tactile sensations. Experiment with mediums you can incorporate into your acrylic paints to create a variety of textures, from high-shine glosses to gritty pumice to the watercolor-effect of absorbent ground. x
  • 16
    Painting Water and Clouds
    Dive into the challenging diversity of the natural world, starting with bodies of water and clouds. First, identify common elements and look closely to determine color temperature and value areas. Then, work from simple structure to finer details as you build up your painting. Finally, add shadows and highlights to capture shape and atmospheric conditions. x
  • 17
    Painting Trees and Bark
    Take advantage of the immense varietyies of trees to create natural compositions and experiment with various shapes and textures. Professor Allman leads you through a demonstration focused on building up different types of trees from basic shapes to foliage and bark texture, including techniques to suggest leaves and needles without excessive detail. x
  • 18
    Painting Rocks and Mountains
    It's not what you paint that makes an interesting work: It's how you paint it. Even something as mundane as a rock can be compelling; as you will see as you undertake a study of rocks using chromatic grays. Learn how to create shades of gray from complementary colors as Professor Allman captures the variety and complexity of stone in a simple landscape. x
  • 19
    Painting Light
    You have looked at the interaction of light and shadow, now broaden your look at the effect of light through the lens of the four main aspects you should know: type of light source, brightness, color, and direction. Professor Allman's demonstration focuses on several strategies for painting light using a candle as your source and subject. x
  • 20
    Painting Glass
    Engage with a subject that can intimidate even seasoned painters: glass. Learn how to focus on what can be seen through glass objects, rather than on the glass itself, to capture its unique properties. Undertake a simple glass still life, using highlights and shadows to suggest shape rather than outlining or blocking. x
  • 21
    Painting People
    In the age of instant photography, why paint portraits? Professor Allman discusses the amazing ability of portraits to capture truths about both the subject and the artist, as he introduces you to the proportions of the human face and then demonstrates how to build" your portrait in much the same way you have tackled previous subjects." x
  • 22
    Getting Creative: Composition
    Up to this point, Professor Allman has focused on the tools and techniques of representation. Now, turn your attention to the ways you as an artist can explore new ideas and techniques to tap into your own creativity. Consider how to find and use a variety of references and materials, closing with an exercise in painting using tape to explore the figure-ground relationship. x
  • 23
    Getting Creative: Surface and Texture
    Further stretch your creative horizons as you leave traditional tools behind and explore new materials and techniques. Featuring four different demonstrations, this lesson will show you how to utilize unique painting surfaces, paint with palette knives instead of brushes, incorporate other media into your paintings, and add collage to your repertoire. x
  • 24
    Getting Creative: Space and Dimension
    Conclude your lessons by freeing yourself from the boundaries of realistic space and, with some guidance from the work of M. C. Escher, use perspective in inventive ways. Learn how to let go of the constraints of realism and transform the two-dimensional surface of your painting into a space where your imagination can take flight. x

Lecture Titles

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What's Included

What Does Each Format Include?

Video DVD
Instant Video Includes:
  • Ability to download 24 video lectures from your digital library
  • Downloadable PDF of the course guidebook
  • FREE video streaming of the course from our website and mobile apps
Video DVD
DVD Includes:
  • 24 lectures on 4 DVDs
  • 125-page printed course guidebook
  • Downloadable PDF of the course guidebook
  • FREE video streaming of the course from our website and mobile apps
  • Closed captioning available

What Does The Course Guidebook Include?

Video DVD
Course Guidebook Details:
  • 125-page printed course guidebook
  • Supply List
  • Exercises and Tips
  • Relevant Artists

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Your professor

Ricky Allman

About Your Professor

Ricky Allman, MFA
University of Missouri–Kansas City
Ricky Allman is an Associate Professor of Painting and Drawing at the University of Missouri–Kansas City (UMKC). He received a bachelor of fine arts from the Massachusetts College of Art and Design and a master of fine arts with honors from the Rhode Island School of Design. Mr. Allman’s paintings often appear as landscapes, cityscapes, and psychological landscapes. Utilizing the geographic features from his...
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How to Paint is rated 4.3 out of 5 by 89.
Rated 4 out of 5 by from A very good beginner course. Unlike most beginner courses he focuses on the fundamentals of the painting process rather than how to paint specific subjects. He could have spent a bit more time on the medium. Those who use heavy body acrylics will notice quite a difference between those and the fluid acrylics he is using.
Date published: 2019-05-03
Rated 4 out of 5 by from Very good overview of painting with acrylics. This is a good overview of how to approach painting with acrylics. Content is presented methodically and clearly and the demonstrations are very thorough. I do think it should be billed as an acrylic class (not a general painting class). Acrylics are quite different from oils or watercolor. Also, it would have helped if the instructor spent more time discussing the variety of acrylic paints available and which ones he is using (fluid vs heavy body vs "open", etc). Overall though, it's a worthwhile class.
Date published: 2019-05-01
Rated 3 out of 5 by from Just Okay Have bought several of the Great Courses and generally have been very impressed with the quality and instructors ability to portray the content in an easy and understandable manner. However, with this one, have to say, was not that impressed. Maybe for a beginner: big, boxy portrayal, kind of messy, some just more abstract. There is something to learn here, just not what I was looking for.
Date published: 2019-04-27
Rated 5 out of 5 by from Excellent and very clear instructions Ricky does a great job of explaining all the topics he presents I still have a few rough spots to work on but here’s what I painted following his procedures
Date published: 2019-04-27
Rated 5 out of 5 by from Excellent Instruction on Painting Techniques The instructor provides clear, systematic and easy to follow directions for moving from a blank canvas to a convincing painting. While he explores a wide variety of subjects, the emphasis is on learning a systematic approach to painting virtually anything. The focus is on acrylics, for reasons he makes clear, but he also touches on other painting media and techniques to give a balanced view of advantages and disadvantages of each. His presentation style is light and personable, but professional. He reinforces basic and essential techniques at the same time that he introduces new approaches with each subject. My wife and I both found the presentation and subject matter fascinating. We have just finished the course and intend to watch it over from the beginning. Whether you are interested in making art or just enhancing your appreciation, this course provides a valuable and entertaining foundation.
Date published: 2019-04-27
Rated 4 out of 5 by from Excellent teacher It is great for conceptual approaches to painting, so it was a excellent course for me. It would be good to have a course on painting techniques, both abstract and realistic.
Date published: 2019-04-25
Rated 5 out of 5 by from Surprised me. I am 81 years old and very much a beginner painter. I bought this course because it was on sale. Then I forgot about it. I started a weekly art lesson with a local painter/instructor and stumbled across the forgotten course on my computer. Started the first video lesson and my first thought was that the artist/professor needs a wife or a girl friend to ask "are you really going out like that?" His hair is badly cut and his clothes clash. THEN I noted that he is an excellent instructor with an unusual and very effective approach. He tells you NOT to paint along with him but to watch and listen carefully, then practice what you have learned afterwards. He doesn't want you to paint what he paints, he wants you to understand and use the TECHNIQUES he teaches. I have watched only five lessons but am so looking forward to watching the rest because I am learning already. This man can paint and teach - not always a pair you find in tandem. after watching five lessons out of twenty four I am hooked and anxious t see what I learn in the next lesson - and the next and the next. He has me enthused. In some other Great Courses the instructor has left me bored. This man has me excited.
Date published: 2019-04-11
Rated 3 out of 5 by from Very fine course; one personal concern While I enjoyed the video course I was a bit taken aback to discover after I started it, that the art teacher concentrates mostly on acrylics rather than oils, and it is the latter medium which interests me the most. Still a good deal of the instruction was still very useful
Date published: 2019-04-10
Rated 5 out of 5 by from Great! I've only had time to view the first disc, but it was great. I knew all of this, but it was good review. I'm anxious to view the others. His instruction method is easily understood and very visually oriented.
Date published: 2019-04-06
Rated 5 out of 5 by from Excellent Instructor instructor is knowledgeable, and demonstrates course content well. This course provides a good opportunity to improve my skills.
Date published: 2019-04-02
Rated 5 out of 5 by from Lots Of Great Info I really liked this course and got a lot out of it. In a sense, the information presented here flies in the face of most info out there because it shows you that if you are logical and methodical first, then the “art” will naturally take care of itself second. If you have an understanding of the organic and physical principles of the world, then you can do great art. I have read books and taken courses, but have not really come across info as it’s presented here. Most courses are simply the pointing of a camera and filming as an artist draws or paints, with not much helpful instruction in the way of “how to.” The finished product is stressed, with not much instruction on how to get there. Thank goodness that this course is nothing like that. Enough helpful info was included in every lesson so that I didn’t feel like my time was ever wasted. The exercises that were recommended for practicing on your own time were very helpful and would increase your skills and understanding if you did them. There were a few times when the author ended the lesson showing a “better” painting that was completed off-camera, and was almost exactly like the one initially created. This was very helpful, actually, because it shows that 10-15 minutes is insufficient most times to produce a finished painting, so it was good to see this to gauge just how much time is required to produce a finished product. When you don’t have much experience painting, you don’t have a very good sense of this, so it was nice to get a feel for it. Also, going by credentials, the instructor is exceptionally qualified, and was great at distilling down complex info and explaining it in ways that made it easy to learn and also to remember later. There were many valuable “nuggets” scattered throughout the lessons, making them a great reference overall. It was a pleasure in every way to watch this course, and I was sorry to see it end.
Date published: 2019-03-26
Rated 3 out of 5 by from Good, but not great Would have liked to see portrait and landscape painting.
Date published: 2019-03-23
Rated 5 out of 5 by from Best Content: competent, thorough, inspiring! Ricky Allman breaks down the painting process taking the most minute details (brush size, arm movement) to the most difficult (creative composition) and makes it possible for the beginner to the advanced to learn something new and take their painting to the next level. Ricky is thorough and articulate using metaphor and humor. As a student I find this an invaluable companion to the classroom.
Date published: 2019-03-18
Rated 5 out of 5 by from Super program This CD has opened up so much for me! Thank you so much.
Date published: 2019-03-15
Rated 5 out of 5 by from Great courses are truly great! I watched the Art of Teaching series and am hooked! Now watching storytelling with the most captivating teacher! Hope to complete the art of writing and how to paint next!
Date published: 2019-03-02
Rated 5 out of 5 by from Great overall I am enjoying this course, although I haven't seen all 24 lectures yet I am very happy with the course. It was worth the money. The teacher is great and he is organized. I love that he actually paints and explains while he's painting.
Date published: 2019-03-01
Rated 5 out of 5 by from Great instructor! I find this professor's approach very easy to follow. I have not yet completed the course but would recommend it to anyone who wants to learn to paint.
Date published: 2019-02-20
Rated 5 out of 5 by from Awesome course I have learned so much from this course. It is very well presented
Date published: 2019-02-17
Rated 5 out of 5 by from Great presentation, learned a lot , thanks ! Only have old paintings to post. Can’t wait to get painting again !
Date published: 2019-02-10
Rated 5 out of 5 by from I have learned a lot so far. I have always wanted to learn how to paint and now i feel i can do it!
Date published: 2019-02-04
Rated 5 out of 5 by from Wonderful Very simple to follow. Mr.Allman is a very good instructor. Enjoy his style and talent. Have learned quite a few techniques. Will reference often.
Date published: 2019-02-01
Rated 5 out of 5 by from Very worthwhile investment Although I have been painting for a while, each lesson had concepts and ideas I found very helpful. The focus on acrylics was an extra bonus as that is my medium of choice.
Date published: 2019-02-01
Rated 5 out of 5 by from Very detailed! Bought this 3 weeks ago & just got into it last week. I was very impressed with the length & detail of the lessons! I bought 5 different subjects but started with the ‘how to paint’ first.
Date published: 2019-01-29
Rated 4 out of 5 by from Easy to follow instructions This is the first course I have tried and I am very pleased I did.
Date published: 2019-01-25
Rated 4 out of 5 by from good demonstrations I am only half way through the videos and I am watching it all before I actually start to try the exercises. I have painted for years, but have never had any real teaching of technique. Although, I think I have produced some pretty decent paintings, I think the things I'm learning will help me overcome some of the glitches and frustrations I have encountered over the years.
Date published: 2019-01-23
Rated 1 out of 5 by from how to paint This course was not what I expected. The instructor was sloppy, had runs in his paintings and I don't recall him finishing any paintings. I did not understand what he was trying to accomplish in lesson 24. I am a beginner and had I known what this was about I would not have purchased it.
Date published: 2019-01-22
Rated 5 out of 5 by from A real eye-opener I really loved this course. It is pretty different from most video art instruction I've seen. Instead of walking you through how to paint specific paintings, the professor guides you through how to learn specific techniques. This lets you apply the techniques to your own subjects instead of just mimicking his paintings. I find that really useful, though people looking to be guided step-by-step through a complete painting might find it frustrating. I also appreciate that most of the demos appear to be done live, without a lot of editing. We get to see the actual process of painting, with all the drips and mistakes and adjustments. We also see the professor make creative decisions in real time. It's really helped me to relax when I'm painting, knowing that everything can be altered and rethought. I'm not sure this would be a helpful course for someone who already has a lot of experience painting, but as a beginner, I found it to be just what I needed to get started. I also think it's great that there's a Facebook community for the course. Good place to share our work.
Date published: 2019-01-18
Rated 5 out of 5 by from The instruction was excellent I have been oil painting for years and this course was an excellent refresher
Date published: 2019-01-16
Rated 4 out of 5 by from Great instructor i bought the for the painting class I'm leading. We liked the lecturer. He gave us permission to paint "outside the box."
Date published: 2019-01-14
Rated 3 out of 5 by from It’s okay. It’s not a bad course to own, but it doesn’t have the same ‘umph’, that I’m used to in the other courses I’ve bought.
Date published: 2019-01-13
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