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Cultural Events

Cultural Events in: San Diego
Cannibals: Myth and Reality
Ongoing Exhibit, Museum Hours - The San Diego Museum of Man, Balboa Park, 1350 El Prado, San Diego
In this thoughtful one-of-a-kind exhibit, you'll discover that cannibals aren't who you think they are. In fact, there's a good chance that your ancestors were cannibals. You may even have a few cannibalistic practices yourself. Ticket price: $7.50-$20 (includes general admission to the museum). See the website for additional information and to purchase tickets.

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  • Exhibit
    Through December 31, Museum Hours - San Diego Museum of Art, Balboa Park, 1450 El Prado, San Diego
    In 2011, the Museum received an extraordinary gift from the Estate of Vance E. Kondon and Liesbeth Giesberger: 48 exceptional works by the leaders of the German and Austrian avant-garde in the first part of the 20th century, including Otto Dix, George Grosz, Gustav Klimt and Egon Schiele. Presented as a temporary exhibition in 2012, The San Diego Museum of Art's remarkable collection of German Expressionist paintings, drawings and prints is displayed in a specially dedicated Gallery 19 off the Upper Rotunda. Breaking with Academic tradition, progressive artists in Germany and Austria at the beginning of the 20th century looked to Paris for new ideas. Concerned with this new state of affairs, artists of the Brucke (Bridge) group sought to establish a genuinely German avant-garde. First in Dresden, then in Berlin, they pitted a revolutionary art and rebellious lifestyle against the accepted order. They longed, also, to escape the oppressive constraints of modern life. Like their Romantic predecessors, the artists of the Brucke regarded communion with nature as a source of spiritual renewal. While a commissioned work, such as Lovis Corinth's Portrait of Alexander Freiherr von Reitzenstein, could remain rooted in Post-Impressionism, members of the Blaue Reiter (Blue Rider) group, such as Alexej Jawlensky and Gabriele Munter, explored their predilection for bold, expressive colors. The collector, Vance E. Kondon, reflected on his own selections: Often, I'm asked why I started collecting. If you know the history of the early Brucke artists, you realize that they were poor, free spirits. They lived communally, and shared the same space, materials, ideas and hopes. They were openly sensual, and nudity was-at times-a way of life. They sought more freedom of emotional expression and less ritual and restraint. And they brought this approach to their art, using vibrant color, looseness of form, and themes from everyday life." Entry to the exhibit is included in the price of museum admission."
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